The movie had a great run of box office success, but was criticized for its lackluster ending. The film’s finale may have been written in haste and lack creativity.
The “ending of us explained” is a movie that has been released. It has received great reviews and is one of the most watched movies in recent history.
Roman Polanski’s cinematic oeuvre is one of the greatest and most significant in movie history. The career of the Polish filmmaker has been marred by controversy, but it is irrelevant to our topic, therefore we will concentrate on the films rather than the director’s life.
Without a question, Roman Polanski is a visionary director who has given us countless films that have already gone down in cinematic history.
Polanski’s biggest works are The Pianist and Rosemary’s Baby, although he has made over 20 films, the most of which are decent, if not outstanding, in the worst-case scenario. Polanski has a distinct and eccentric style to filmmaking, favoring unusual and strange storylines that often blur the lines between fiction and reality.
The Ninth Gate is one of these films, and although it may not be one of Polanski’s greatest, it is undoubtedly one of his most interesting.
What Is The Purpose Of The Ninth Gate?
Before hanging himself, the elderly Mr. Telfer writes a suicide note. He had just sold a priceless book to Boris Balkan, an esoteric book collector, the day before (Frank Langella). The book is said to have been written in the 17th century by the mythical Torchia.
According to legend, Torchia forged a pact with the devil himself. As a result, he was burnt alive at the stake along with all copies of the book in 1666, with the exception of three copies that are said to still exist today. Dean Corso sets out to get the duplicates, but he encounters unusual occurrences along the way.
The Ninth Gate: A Study
Now, The Ninth Gate does a decent job of explaining its own complexities throughout the film, so you’ll be able to comprehend the most of what’s going on, including the literary, historical, theological, and satanic connections. The Ninth Gate is a supernatural mystery with a better execution than a satisfactory conclusion, while the execution is problematic at moments.
Now, when we were writing this article, we were debating how to approach the analysis, and we decided that, because the movie does the most of the work for us, it would be best if we only explained the symbolism behind the Nine Gates in the movie before moving on to the movie’s conclusion.
The film’s central theme is a fictitious book called The Nine Gates of the Kingdom of Shadows, which is claimed to include a Satan-calling procedure. There are three different versions of the old text. There are nine engravings in each volume. Three distinct engravings are signed LCF for Lucifer in each of the three volumes. Six are signed AT for Aristidem Torchiam, the imaginary book’s author.
One of the engravings signed LCF is a fake. The passage into or out of the world of shadows is shown in the nine LCF engravings. The underlying plot is deciphered by the changes in symbolism between the AT and LCF pictures. These distinctions will now be presented:
|1st Gate||On horseback, a knight places his finger to his lips, symbolizing hush or secret.||A castle with three towers is visible to the knight.||A castle with four towers is visible to the knight.||The goal is represented by the castle in the distance. The number four represents the physical world. The number three is associated with perfection. One’s objective will be material, while the other’s will be spiritual.|
|2nd Gate||A bearded hermit with a pair of keys in his hand stands at the door, which is closed with a knocker. He’s joined by a dog, who stands behind him with the Hebrew sign for nine and a lit lamp at his feet.||In his left hand, the guy carries keys.||In his right hand, the guy carries keys.||One key reflects emotional warmth and riches, while the other reflects spiritual purity and enlightenment. The familiar tangible world is represented by the right hand, while the unconscious or unknown world is represented by the left hand.|
|3rd Gate||On his journey, a pilgrim comes upon a towered bridge that spans a river. With a quiver draped over his shoulder, a cherub in the clouds points his bow and arrow down on the road going up to the near side of the bridge.||One arrow is in the bow and the other is in the quiver.||The bow has just one arrow, and the quiver has none.||One arrow points down to the ground, while the other in the quiver points upwards. This is another another duality sign.|
|4th Gate||In a fool’s twin-peaked hat, a jester-like figure stands before a labyrinth.||The maze’s exit is now accessible.||The exit archway of the labyrinth has been bricked up.||Chance, according to the dice, will produce radically diverse outcomes: a dead end for one and an opportunity for another.|
|5th Gate||A sitting elderly guy counts out gold. They’re in a castle-like chamber, which foreshadows their final destiny. A hooded skeleton with an hourglass and a trident keeps an eye on him.||The sands of time have come to an end.||The hourglass sands have just recently begun to flow.||Death and the devil are both represented by the shrouded figure. The artwork conveys the message that accumulating material wealth is pointless.|
|6th Gate||A guy hangs upside down from one leg from the castle walls.||The man’s left foot is dangling from his body.||The man’s right foot is dangling from his body.||There are apparent allusions to burning swords and hanging for the material acquisitive right-thinking individual. There are promises of torch light to indicate the path on the other side of the wall for the left-minded spiritual people.|
|7th Gate||In a castle-like chamber, a bearded crowned monarch is playing chess with a young guy disguised as a peasant. A crescent moon beams in through an open window through the closed door. In the backdrop, two dogs, one white and one black, seem to be fighting.||White is the color of the chessboard.||Black is the color of the chessboard.||A commoner has risen to the status of equal to the King. Man is equal to his master, thus he is god.|
|8th Gate||In prayer, a young guy kneels. With a mace, a knight stands above him.||The knight’s head is surrounded by a halo.||The knight’s head is not surrounded by a halo.||Even now, the significance of this etching is unknown.|
|9th Gate||In the backdrop, there is a castle. In the foreground, a nude lady sits atop a seven-headed dragon-like monster with an open book.||There seems to be no change between the images.||There seems to be no change between the images.||The pilgrim’s last sexual temptation will come at the end of his trip.|
That’s all there is to it. This is the most crucial part of the film, and now that we know that, we can go on to the conclusion.
Explanation of the Ninth Gate’s Ending
Despite all of the themes we’ve discussed so far, the finale of The Ninth Gate is probably the most perplexing part of the movie, and given how weird it is, that shouldn’t come as a surprise to anybody. Some details from the text were modified by Polanski. Although the movie’s finale had certain aspects from the novel, it was ultimately unique.
This wouldn’t be a problem in and of itself, but given how out of context it is and how little explanation there is, you have to wonder what went through the minds of the authors when adapting Club Dumas for the screen.
The original book’s conclusion was also strange, but the storyline had brought us there. We were also led to the conclusion, but it didn’t even come close to making sense in the context of the film. So, what happens at the conclusion of the film?
Liana steals the Balkan edition from Corso’s hotel room; the latter pursues her and witnesses her performing a demonic ritual with the book. Balkan abruptly interrupts the wedding, strangles Liana, and flees with the engraved pages and her copy; Corso attempted to assist, but was stopped by the young lady pursuing him.
Corso tracks Balkan to a faraway castle represented in one of the engravings, where he discovers Balkan preparing the ultimate ceremony. Balkan locks Corso in a hole in the ground after a struggle and then conducts his invocation ceremony, which involves placing the engravings on a makeshift altar and recreating a set of words relating to each of the nine engravings.
Balkan then douses himself with gasoline and sets fire to himself, feeling that he is now free of pain. Balkan’s summoning fails, and the flames envelop him, causing him to scream in anguish. Corso is let free, shoots Balkan to put an end to his misery, steals the engravings, and flees.
Outside, the young Girl returns and makes love to him in front of the flaming castle, her eyes and face changing as she rotates around Corso. Balkan failed, she informs him, because the ninth engraving he used was a counterfeit.
She gave him a note regarding the eighth engraving before departing Corso, forcing him to return to the Ceniza brothers. He discovers their shop to be absolutely deserted, and it is there that he discovers the true ninth engraving. On it, the Prostitute of Babylon, a woman riding a multi-headed beast, looks a lot like her stranger.
Corso comes to the castle with the final etching in hand. He completes the procedure and enters the light via the ninth door.
When Roger Ebert finished watching this film (he eventually gave it two stars out of four), he highlighted the word “What?” in his notes. And it is an excellent summary of the film’s conclusion. The Ninth Gate’s conclusion was a little perplexing. If the film stopped with Corso discovering the original engraving, it would have been perplexing, but Polanski opted to go even farther.
Now, there’s no denying that the film is a tremendous conundrum. The Ninth Gate, on the other hand, portrays Corso as someone who is fighting the terrible forces that surround him. Balkan, not Corso, is the film’s antagonist. Corso seems to be the hard-boiled detective who stays around the edge of the shadows but doesn’t really enter it.
Johnny Depp was an excellent choice for the part, since the main character’s dark attitude complemented his rich acting approach. The primary problem was that when everything had been resolved, you’d anticipate a sombre, even ambiguous, if not joyous, conclusion. As you can see, though, it never occurred.
Dean Corso, in the end, defeats the ritual he so badly wished to halt and vanishes in the light of the black enlightenment. What’s the goal of it all? Well, there’s not much to the finale in terms of plot, since it feels out of place with the rest of the movie and the book; the novel ends with the ritual going wrong and Corso fleeing.
He returns here to pass through the terrible Ninth Gate, therefore wrecking the whole film (if it had not been ruined by that point, already).
When I first saw the film, I recall thinking that the atmosphere was incredible and that, despite all of the weird components, the storyline was mostly good, until that orgy-like conclusion with Frank Langella’s character and the absolutely inexplicable last scene.
You’d think this was a Lovecraft novel in which the protagonist resists the Great Old Ones’ lunacy only to succumb to it in the end, impotent against the forces he’d been dealing with all along.
But, unlike Lovecraft, who constantly foreshadows such a conclusion by implying in his novels that any resistance to his monster deities’ gripping dread is futile, Polanski appeared to show us that the battle made sense and that evil is finally punished. That was true until we saw Corso pass through the gate.
Why did things turn out the way they did? We’ll probably never know since no one speaks about the film anymore, but what we can conclude is that Polanski chose a twist ending, although it wasn’t very creative, as we saw.
Specifically, the darkness’s might felt too great to resist, and the temptation of the Ninth Gate, which had enveloped Balkan, had now moved on to Corso.
That is what the film’s invisible enemy desired, and it seemed that Corso’s path was not one of fighting evil, but one of becoming the evil he was intended to combat.
Ultimately, despite being aware of the hazards, Corso surrendered to the black magic, deciding to fulfill his curiosity rather than risk his life. There is no other explanation that makes sense, since nothing in the film suggests that there may be another cause.
In truth, if you watch the movie, this conclusion doesn’t make much sense, but it is what it is. Roger Ebert was perplexed, so it’s no surprise that we, mere humans, were perplexed as well.
But that’s the beauty of this film: it takes you on a journey that doesn’t make sense in the end; the journey is enjoyable, even thrilling at times, but when you arrive at your destination, all you’re left with is confusion and a lingering sense of disappointment, much like Balkan must have felt when he realized his ritual had backfired.
The “movies explained website” is a website that explains and analyzes movies and their endings. The website is an easy way to understand what the movie was about and how it ended.
Frequently Asked Questions
What does the ending of the movie after mean?
A: The ending of the movie after means that the world is over and everyone has died.
Why is the ending of a movie so important?
A: The ending of a movie is important because it provides the meaning and purpose for all of the events that had happened beforehand, as well as showing some kind of resolution. They also often provide a twist or some form of excitement towards the end.
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