This story follows the journey of a young Spaniard in 1970s who moves to Madrid and is inspired by the radio station that plays all day. The protagonist takes on new identities as an American rocker, British punk, French disco star and many more!
The “outlaws review” is a coming-of-age story that follows the lives of two friends, one from Spain and the other from America. The book takes place in the 1970s and is written by an author who has never been published before.
The Laws of the Border, or Outlaws as it is known on Netflix, is a fantastic example of a B film with enough skill to keep audiences captivated for the duration of the film. Coming-of-age tales may take many different forms. These tales often revolve on the quest for identity and how your experiences shape you into a fully-fleshed human being.
Coming-of-age tales may be thrilling, romantic, hilarious, and heartbreaking. Outlaw chooses to go after each and every one of these components, resulting in a jumble of elements that may be discordant at times. However, the dissonance ends up producing a feeling of turmoil that can only come from real life, owing to excellent production quality. Even though few people would choose to be in the position shown in the film, it is interesting and entertaining.
The Laws of the Border is directed by Daniel Monzón, who also directed the spectacular Cell 211, and is based on Javier Cercas’ novel of the same name. The film stars Marcos Ruiz, Begoa Vargas, and Chechu Salgado and portrays the narrative of Nacho, a 17-year-old young guy who is tormented all the time. Zarco and Tere, two crooks who befriend him and take him under their wing, appear one day. Nacho soon starts to participate in the gang’s criminal activities while also falling in love with Tere.
The Laws of the Border does not waste time with long-winded introductions or lyrical landscaping. The movie is primarily focused on attempting to amuse its viewers, and it never becomes dull because to the fast tempo. Despite the fact that the film is almost two hours long, it never seems that way.
Monzón’s directing isn’t flashy at all; rather, it’s utilitarian and to the point. This may detract from the film’s ability to be a visually stunning feast, but it serves its purpose. Balter Gallart is the genuine hero of the story. Even if the majority of the audience has never visited Spain, the production designer and his team of specialists transport us to 1970s Spain, and the effect is surprisingly realistic and nostalgic.
The remainder of the film is excellent. There are a few apparent green screens throughout the picture, but the locales are generally genuine, and the ambiance they create is extremely pleasant.
The people are the most important aspect of this film, and this is obvious right away since the narrative is quite predictable, particularly if you’ve watched previous coming-of-age films. As a result, there are no major plot twists or shocking discoveries in this novel. Thankfully, the performers are capable of elevating the material and transforming what might be stereotypical characters into something more engaging.
Ruiz is the film’s protagonist, and he starts out as meek and quiet as you would imagine. As the movie progresses, his character evolves significantly, and Ruiz does it in such a manner that every choice Nacho takes seems genuine and convincing, even if some of them are rather stupid.
Begoa Vargas is the film’s biggest surprise. Tere is a 70s version of Bonnie from Bonnie and Clyde, and she not only has a gorgeous face, but she also has a lot of attitude, which helps sell Tere as a 70s version of Bonnie from Bonnie and Clyde. Almost every scene she’s in, the actress steals the show. Salgado also does a fantastic job as Zarco, a corrupt, charming scumbag. We know he’s trouble from the start, yet he never crosses the line into unsympathetic territory, and he even has the appearance of a Robin Hood figure at points. His gruff tone adds to the impression that his character has been hardened by the streets since he was a boy.
The picture also has a romantic tone to it. There are a handful of situations in which we watch a young guy fall in love with a girl who is completely out of his league. There are some scary overtones to the romance aspect of the picture, but the primary relationship stays adorable from start to finish.
The film also attempts to make some social criticism, particularly when it comes to the police force as a corrupt body that keeps the government in check. However, this issue is simply alluded to, and the film soon departs from it.
The Laws of the Border may not be a unique narrative, and it certainly isn’t a unique film. However, the film adheres to a formula that has shown to be successful and will provide an enjoyable experience for the majority of those who choose to see it.
SCORE: 7 OUT OF 10
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